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Right now, we have a 2-to-1 Matching Gift Campaign, so you can triple your impact! The average donation is $45. If everyone reading this chips in just $5, we can end this fundraiser today. All we need is the price of a paperback book to sustain a non-profit website the whole world depends on. We’re dedicated to reader privacy so we never track you. We never accept ads. But we still need to pay for servers and staff.

I know we could charge money, but then we couldn’t achieve our mission. To bring the best, most trustworthy information to every internet reader. The Great Library for all. The Internet Archive is a bargain, but we need your help. If you find our site useful, please chip in.

Thank you.— Brewster Kahle, Founder, Internet Archive. Dear Internet Archive Supporter,I ask only once a year: please help the Internet Archive today. Right now, we have a 2-to-1 Matching Gift Campaign, so you can triple your impact! The average donation is $45. If everyone reading this chips in just $5, we can end this fundraiser today. All we need is the price of a paperback book to sustain a non-profit website the whole world depends on. We’re dedicated to reader privacy so we never track you.

We never accept ads. But we still need to pay for servers and staff. I know we could charge money, but then we couldn’t achieve our mission. To bring the best, most trustworthy information to every internet reader.

The Great Library for all. The Internet Archive is a bargain, but we need your help. If you find our site useful, please chip in. Thank you.— Brewster Kahle, Founder, Internet Archive. Dear Internet Archive Supporter,I ask only once a year: please help the Internet Archive today. Right now, we have a 2-to-1 Matching Gift Campaign, so you can triple your impact! The average donation is $45.

If everyone chips in just $5, we can end this fundraiser today. All we need is the price of a paperback book to sustain a non-profit library the whole world depends on. We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff. I know we could charge money, but then we couldn’t achieve our mission. To bring the best, most trustworthy information to every internet reader.

The Great Library for all. We need your help. If you find our site useful, please chip in.— Brewster Kahle, Founder, Internet Archive. In hip hop's earliest days, the music only existed in live form, and the music was spread via tapes of parties and shows. Hip hop mixtapes first appeared in the mid-1970s in New York City, featuring artists such as Kool Herc and Afrika Bambaataa.

As more tapes became available, they began to be collected and traded by fans. In the late 70's into the early 80's DJs began recording mixtapes out of their homes, referring to them as House Tapes. DJs such as Harold G. (who later became known as Whiz Kid) and DJ Super V would create personalized House Tapes which would eventually circulate throughout New York City.

In the mid-1980s, DJs, such as Brucie B, began recording their live music and selling their own mixtapes, which was soon followed by other DJs such as Kid Capri and Doo Wop. Ron G moved the mixtape forward in the early 1990s by blending R&B a cappellas with hip hop beats (known as 'blends'). Blend tapes became increasingly popular by the mid-1990s, and fans increasingly looked for exclusive tracks and freestyles on the tapes.

Also since the 1990s, it describes releases used to promote one or more new artists, or as a pre-release by more established artists to promote upcoming 'official' albums. In the hip hop scene, mix tape is often displayed as a single term mixtape. It is now a word to generally describe full-length albums released for free, which is the modern form of mixtape that was made a popular following by 50 Cent and his group G-Unit in the early 2000s, sometimes containing all original music, other times composed of freestyles and remixes of popular tracks. 01 - Johnny Cinco - No Love Prod By Spiffy 02 - Johnny Cinco - Understand Me Prod By OG Parker 03 - Johnny Cinco Feat Hoodrich Pablo Juan - Get To It Prod By OG Parker 04 - Johnny Cinco Feat Quavo - LIV Prod By Spiffy Global 05 - Johnny Cinco YFN Lucci - All About You Prod By Spiffy 06 - Johnny Cinco YFN Lucci - Do Better Prod By OG Parker Deko 07 - Johnny Cinco YFN Lucci - The Ghetto Prod By Marc Beatmonsta 08 - Johnny Cinco YFN Lucci - We Came A Long Way Prod By Spiffy 09 - Johnny Cinco Feat. Title 01 Blac Youngsta - Intro Prod.

By Tay Keith 02 Blac Youngsta - Hustle For Mine (Feat. Yfn Lucci) Prod.

By Drummsection 03 Blac Youngsta - Tissue Prod. By London On Da Track 04 Blac Youngsta - Cool Lil Thottie (Feat. By Cheeze 05 Blac Youngsta - Come Thru (Feat.

Quavo) Prod. By Dun Deal 06 Blac Youngsta - Dodge Prod. By Beat Billionaire 07 Blac Youngsta - Ask For It Prod. By Beat Billionaire 08 Blac Youngsta - Lil Bitch Prod. By Tay Keith 09 Blac Youngsta - Need. 01-Wiz Khalifa-Intro-MF 02-Wiz Khalifa-Boarding Pass-MF 03-Wiz Khalifa-Ms. Rightfernow-MF 04-Wiz Khalifa-Shame-MF 05-Wiz Khalifa-Starstruck (Remix)-MF 06-Wiz Khalifa-Dreamer-MF 07-Wiz Khalifa-Get Sum-MF 08-Wiz Khalifa-Material-MF 09-Wiz Khalifa-Teach U To Fly-MF 10-Wiz Khalifa-I'm Good-MF 11-Wiz Khalifa-Name On A Cloud-MF 12-Wiz Khalifa-Wassup-MF 13-Wiz Khalifa-Kleenex ft.

Kev Da Hustla-MF 14-Wiz Khalifa-Never Ever-MF 15-Wiz Khalifa-Soulmate ft. John Record-MF 16-Wiz Khalifa-Superstar-MF 17-Wiz. Title 01 - Kevin Gates-Rap Game 02 - Kevin Gates-We Rock Out 03 - Dj (48000 Hz) 04 - Kevin Gates-Solo In The Game 05 - Kevin Gates -Believe It 06 - Kevin Gates-I Remember 07 - Kevin Gates-The Deal 08 - Kevin Gates-Concerte Jungle 09 - Kevin Gates-Dumpin 10 - Kevin Gates-Thinking 11 - Kevin Gates-Str8 Drop 12 - Kevin Gates-Grenade 13 - Kevin Gates-My Bitch 14 - Kevin Gates-Ceiling In The Room 15 - Kevin Gates-Reflection 16 - Kevin Gates-Lights Out 17 - Kevin Gates-Not At All 18 - Kevin Gates-The. Title 01 Plies - To Whom It May Concern Prod. By Dt Spacely 02 Plies - Comin 2 Eazy Prod. By Trauma Tone X Leemajorkid 03 Plies - I Gotta Keep Winning (Feat. Dae Dae) Prod.

By Money Beat Maker 04 Plies - Rock Prod. By Cheeze Beatz X 30 05 Plies - Sackway Prod.

By Trauma Tone 06 Plies - My Bag Different Prod. By Beat Billionaire 07 Plies - Bosses (Feat. Kash Doll) Prod. By Cassius Jay 08 Plies - Thottie Prod.

By Trauma Tone 09 Plies - Viral Prod. By Trauma Tone 10 Plies - Boss. 01 - India Arie - Ready For Love 02 - Jill Scott - He Loves Me (Lyzel In E Flat) 03 - Erykah Badu - Next Lifetime 04 - Lauryn Hill - Nothing Even Matters 05 - Floetry - Say Yes 06 - Jill Scott - A Long Walk 07 - India Arie - Brown Skin 08 - Lauryn Hill - Ex-Factor 09 - Lauryn Hill - The Sweetest Thing 10 - Erykah Badu - Didn't Cha Know 11 - Heather Headley - In My Mind 12 - Heather Headley - I Wish I Wasn't 13 - Vivian Green - Emotional Rollercoaster 14 - Erykah Badu - On and On 15 - India Arie. Title 01 The Weeknd - Beauty Behind The Chops Intro (Chopped Not Slopped) 02 The Weeknd - The Hills (Chopped Not Slopped) 03 The Weeknd - Can't Feel My Face (Chopped Not Slopped) 04 The Weeknd - Acquainted (Chopped Not Slopped) 05 The Weeknd - Shameless (Chopped Not Slopped) 06 The Weeknd - Tell Your Friends (Chopped Not Slopped) 07 The Weeknd - Losers (Feat. Labrinth) (Chopped Not Slopped) 08 The Weeknd - Real Life (Chopped Not Slopped) 09 The Weeknd - Earned It (Fifty Shades Of Grey) (Chopped. DESCRIPTIONIn hip hop's earliest days, the music only existed in live form, and the music was spread via tapes of parties and shows. Hip hop mixtapes first appeared in the mid-1970s in New York City, featuring artists such as Kool Herc and Afrika Bambaataa.

As more tapes became available, they began to be collected and traded by fans. In the late 70's into the early 80's DJs began recording mixtapes out of their homes, referring to them as House Tapes. DJs such as Harold G. (who later became known as Whiz Kid) and DJ Super V would create personalized House Tapes which would eventually circulate throughout New York City.

In the mid-1980s, DJs, such as Brucie B, began recording their live music and selling their own mixtapes, which was soon followed by other DJs such as Kid Capri and Doo Wop. Ron G moved the mixtape forward in the early 1990s by blending R&B a cappellas with hip hop beats (known as 'blends').

Blend tapes became increasingly popular by the mid-1990s, and fans increasingly looked for exclusive tracks and freestyles on the tapes. Also since the 1990s, it describes releases used to promote one or more new artists, or as a pre-release by more established artists to promote upcoming 'official' albums. In the hip hop scene, mix tape is often displayed as a single term mixtape. It is now a word to generally describe full-length albums released for free, which is the modern form of mixtape that was made a popular following by 50 Cent and his group G-Unit in the early 2000s, sometimes containing all original music, other times composed of freestyles and remixes of popular tracks.

The performer in concert. Minaj has been described as a video vixen.A video vixen (also referred to as a hip hop honey or video girl ) is a female who appears in -oriented. The video vixen image has become a staple and a nuanced form of within popular music, especially within the genre of hip-hop. Many video vixens are aspiring actors, singers, dancers, or professional models. Women from various cultures have been portrayed either as fragile, manipulative, fetishistic, or submissive within contemporary music lyrics, videos, concert and movie soundtracks, although this is not universal, as demonstrated by the archetypal. Contents.Social aspect The work of video vixens and their portrayal in music videos have drawn criticism. Critics suggest that music-video models are typically placed in and roles while male artists are shown in positions of power.

Others argue that music-video models are depicted as, signs of male power, and referred to in derogatory terms such as ' and '.In 2004, 's video for his song ' came under particular criticism for its depiction and of women. While some people pointed out that the women who appeared in Nelly's video voluntarily chose to participate, others insisted that male rappers continue to sexually objectify hip hop models while denying that the hip hop artists' career is, at least in part, based on the exploitation of other people.In 2005, former hip hop music-video model authored the book, in which she depicts the degradation of women in the world of hip hop. The book's publisher describes it as 'part tell-all, part cautionary tale'. The book went on to be a best seller in the US. Another hip hop model, said in an interview, 'what I've seen on hip hop music video sets is complete degradation'. Female rappers as video vixens Female rappers have most substantially felt this pressure, where sex appeal is now the currency by which women in the music business are both valued and devalued. In particular, female rappers such as and occupy what calls a 'peculiar place of cultural antipathy', often accused of selling out and blamed for participating in the.

Similarly, is arguably a 'video vixen' who is the 'object, subject, and author' of sexually explicit music videos.Female rappers who have shown themselves off as 'video vixens' include Nicki Minaj, and many others. The role of women has evolved over time in the hip-hop world. Two artists in the early era of hip-hop, rapper and rap group, were well-known for rapping about defending the image of women. They were responding to male hip-hop artists who habitually degrade women. Rappers Lil' Kim, Trina, Nicki Minaj, and many others are all opposite and seem to accept this hyper-sexuality. Black women in hip hop , who spoke out for black girls who are considered video vixens, said: 'If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive.'

The images presented in mass media, specifically in music videos, portray hyper-sensual images of the female sex. These images created within the world of hip hop reinforce the negative stereotypes associated with women, especially with black women.It is pressuring for women musicians to conform to the porn standards because if not they will have to compete with the women who do.People realize that images of women is what rap music videos sell whether the women in the videos are playing the part of cheerleaders or die-hard groupies. Women in the videos are what gets the attention of men and guarantees a male audience.

The images are still shots of women taken from videos displaying their appearance. Women are tended to dress half naked and moving their body in sexual ways.

The media paint the picture that African American women are only seen as sexual figures in the society. Once these images are put out there these women are not the owner of their representation anymore. Expressing femininity in hip hop is an evolving category where hip hop artists express femininity in non-conventional ways that break the stereotype of the passive, hyper-sexualized female body as an object to be consumed. Throughout the genre in, and, women are addressing the issues associated with the passive stereotype of female representation in hip hop. Re-examines the relationship women have to the hip hop culture, and how women choose to assert their sexuality.A form of femininity in hip hop is through asserting sexuality and using it as a dominant source of power, creating the notion of being liberated and a subject as opposed to an object. Artists within this category use blatant sexuality to their advantage as a part of their marketing and work. Due to the commodification of hip hop and stereotyping, the 'sex sells' concept became prominent within mainstream hip hop culture.Successful career paths Some video vixens who have made a name for themselves in the music video industry, as well as girls with limited work as hip hop models, have gone on to other types of work with greater success, mostly by marketing themselves.became an American reality TV show contestant and is known for winning the reality television shows of in its.

Another reality show winner was who won the second season of competition.was voted Miss San Francisco in the 1997 pageant and went on to act in television series, such as, a parody of. Is a radio personality for popular entertainment podcast, Hollywood Unlocked.has modelled for many magazines, including, and, often as the. She has also made multiple appearances on several, such as entertainment gossip show, and for 's. She's lent her voice to the video game.has a successful in movies and television., went on to acting careers, while became a famous actress.appeared in the movie, made a fitness-instruction DVD, and has a written a book about her life.appeared in the movie and wrote the explosive 2005 New York Times Bestseller Confessions of a Video Vixen.appeared in the music video ' in 2008 and since then has become a successful model and actress.See also.References. ^ Aun Qi Koh (September 1, 2012). Political Beanie. (2007).

New York: Random House. girls of color have a whole aspect of hip-hop with those horrible videos and the rise of the hip-hop honey or video girl. Story, Kaila A. 'Performing Venus-From Hottentot to Video Vixen.' Home Girls Make Some Noise: Hip-hop Feminism Anthology. By Gwendolyn D.

Pough, Mark Anthony. Neal, and Joan Morgan. Mira Loma, CA: Parker Pub., 2007. Print. Sharpley-Whiting, T. New York: New York University Press, 2007, p.

26,. ^ Pough, Gwendolyn (2007). 'What It Do, Shorty?: Women, Hip-Hop, and a Feminist Agenda'.

Black Women, Gender + Families. Conrad, Kate; Dixon, Travis; Zhang, Yuanyuan (2009). 'Controversial Rap Themes, Gender Portrayals and Skin Tone Distortion: A Content Analysis of Rap Music Videos'.

Journal of Broadcasting & Electronic Media. 53 (1): 134–156. ^ Stange, Mary Zeiss; Carol K. Oyster; Jane Sloan. Thousand Oaks, Calif.: Sage Reference, 2011, p. 695,. Hall, Ann C.; Mardia J.

Westport, Conn.: Praeger, 2007, p. 8,.

Jeffries, Michael P. Chicago: University of Chicago Press, 2011, p. 155,. Keyes, Cheryl Lynette. Urbana: University of Illinois Press, 2002, p.

(April 02, 2005), accessed October 01, 2011. Arce, Rose (March 04, 2005). April 5, 2012, at the., accessed October 01, 2011. (April 23, 2004), accessed October 01, 2011.

Rose, Tricia. New York: BasicCivitas, 2008, p.

177,. December 12, 2005, at the. Retrieved on February 11, 2006. July 24, 2005. Salaam, Khalid and Palting, Joaquin (2006). January 17, 2006, at the. XXL Magazine.

New York: Harris Publications. Retrieved on February 11, 2006.

^ Levande, Meredith (2008). 'Women, Pop Music, and Pornography'. Meridians. ^ Balaji, Murali (2010). 'Vixen Resistin': Redefining Black Womanhood in Hip Hop Music Videos'. Journal of Black Studies.

For Hip Hop Cracktv Honey Dips Video

Johnson, Imani Kai (April 12, 2014). Women & Performance: a journal of feminist theory.

Retrieved March 6, 2016. Pough, Gwendolyn D. Home Girls Make Some Noise: Hip Hop Feminism Anthology.

Mira Loma, California: Parker Publishing. Pp. 116–127. Andy Dehnart. Reality blurred. Retrieved 9 May 2015. Sirius Satellite Radio.

Archived from on October 14, 2008. Retrieved January 25, 2009. Hot Jamz is about to get a lot hotter: Melyssa Ford has joined our squad!. Grade A Glutes by Buffie the Body (2013)'.

August 17, 2013. Retrieved December 1, 2013. Carruth, Buffie. 'Vixen Icon'. Triple Crown Publications. Retrieved 2019-02-26.Further reading. Thompson, Bonsu and Huang, Howard (August 4, 2004).

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XXL Magazine. New York: Harris Publications.

Retrieved on February 11, 2006.